| Course Calendar |
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| EXPERIMENTAL PRINTMAKING |
| Amy-Jane Blackhall |
| Take your ideas through a journey in print. This 3-day course focuses on developing and reinterpreting imagery through the combination of print processes both on and off press, with emphasis on experimentation, a painterly approach and hand finishing. |
| Wednesday 9 - Friday 11 May 2018 |
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| JAPANESE MASTER WOODBLOCK WORKSHOP |
| with Motoharu Asaka |
| Motoharu Asaka is one a a few master printmakers currently practicing in Japan. This is a unique opportunity to take part in a one day workshop including the a talk by Asaka about his work, see him demonstrate printing of Hokusai’s famous ‘Wave’. |
| Monday 14 May 2018 |
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| DRAWN TO NATURE |
| Nik Pollard RCA |
| Rabley Drawing Centre is delighted to announce a 3 day course studying the flora and fauna of surrounding hedgerows, woodlands, meadows and pond, led by artist/naturalist Nik Pollard RCA. |
| Saturday 2 - Monday 4 June 2018 |
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| Termly Studio Print Sessions |
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| Rabley Drawing Centre's termly print sessions are delivered on a weekly basis with up to 9 participating artist–printmakers developing their own print project with technical support and advice. Participants will have the opportunity to take part in the Annual Summer Exhibition at Rabley Contemporary Gallery from 29 June –2 July 2017. |
The Autumn and Spring terms are 10 weeks (Mon or Tue) and the Summer term is 8 weeks (Mon only)
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| Previous Short Courses |
| If you are interested in any of the following courses then please get in touch. |
| EMAIL US |
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| COLLAGRAPH & BLOCK PRINT |
| Katherine Jones - Rabley Artist in Residence 2016/17 |
| Collagraph is a method of intaglio printmaking that uses texture to create a wide variety of tone and line on a plate. |
| SEPTEMBER 17-18 2016 |
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| EXPERIMENTAL PRINTMAKING SUMMER SCHOOL |
| Meryl Ainslie and Martyn Grimmer |
| Over four days the Experimental Printmaking Summer School will introduce 3 new ways of printmaking that are direct and encourage you to adapt and develop printmaking within your practice. |
| JULY 2015 |
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| INTRODUCTION TO PHOTO POLYMER GRAVURE |
| Martyn Grimmer |
| Non toxic Intaglio printmaking. |
| MARCH 2015 |
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| JAPANESE WOODCUT |
| Sara Lee |
Traditional water-based printmaking without a press
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| APRIL 2015 |
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| DRAWN TO LANDSCAPE |
| Emma Stibbon RA |
| Drawing, ink and wash, monotype. |
| MAY 2015 |
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| EXPERIMENTAL DRAWING SUMMER SCHOOL |
| Meryl Ainslie and Nik Pollard |
| Four days of experimental drawing, multi-sensory sketchbooks, a facinating visit to the Pitt Rivers and working in the beautiful Wiltshire landscape. |
| JULY 2015 |
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| MARKS AND SURFACE |
| Sue Preston |
| Through process to Image: developing observational drawings into mixed media works on paper. |
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| IPAD TO INTAGLIO (STAGE 1) |
| Meryl Ainslie |
iPad drawing for multi-plate intaglio printmaking.
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| IPAD TO INTAGLIO (STAGE 2) |
| Meryl Ainslie |
iPad drawing for multi-plate Intaglio printmaking.
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| DRAWN TO IDEAS |
| Sandy Sykes |
| Sketchbooks, drawing and off press printmaking. |
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